The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother.

ENSEMBLE
Singing-dancing ensemble, some with short lines

CHARACTERS
Cinderella
King
Queen
Stepmother
Stepsister Portia
Stepsister Joy
Prince Charming
Fairy Godmother
Town Crier
Captain of the Guard
Chef
Steward
Court Tailor

Tony Wendice married his wife Margot for her money; now he plans to murder her for it. Tony arranges the perfect murder – he hires a scoundrel he once knew to strangle Margot, and arranges a brilliant alibi for himself. However, on the night of the planned attack, the plan goes awry and Margot manages to kill her attacker. Momentarily ruffled, Tony soon sees the hitman’s death as an opportunity to have his wife convicted of murder. Can he frame Margot for his twisted crime before Margot and a Scotland Yard inspector reveal his deceit?

MARGOT WENDICE
MAX HALLIDAY
TONY WENDICE
CAPTAIN LESGATE
INSPECTOR HUBBARD
THOMPSON

“‘Twas the night before Christmas, when all through the house, not a creature was stirring, not even a mouse.” But wait! A mouse is stirring - because Santa missed his house last year. Before you can say “Merry Christmas!”, we're off on the wild adventures of a mouse, an elf, and a spunky child who just won't take no for an answer. Don't miss this joyful tribute to the holiday season!

SIR GUY OF GISBOURNE / UNCLE BRIERLY
AMOS / AMOS OF KANSAS (boy mice)
EMILY
CALLIOPE / BRITANNIA SNEED
MULCH / SANTA CLAUS / WENDELL SNEED

Middle-aged and married, overworked and overweight, Barney Cashman wants to join the sexual revolution before it's too late and arranges three seductions: the first, Elaine Navazio proves to be a foul-mouthed bundle of neuroses; Bobbi Michele is next, a 20-ish actress who's too kooky by half; finally comes September and Jeanette Fisher, a gloomy, depressed housewife who happens to be married to Barney's best friend.

BARNEY CASHMAN
ELAINE NAVAZIO
BOBBI MICHELE
JEANETTE FISHER

Our Town presents the small town of Grover’s Corners in three acts: “Daily Life,” “Love and Marriage” and “Death and Eternity.” Narrated by a stage manager and performed with minimal props and sets, the play depicts the simple daily lives of the Webb and Gibbs families as their children fall in love, marry, and eventually – in one of the most famous scenes in American theatre – die.

STAGE MANAGER
DR. GIBBS
JOE CROWELL
HOWIE NEWSOME
MRS. GIBBS
MRS. WEBB
GEORGE GIBBS
REBECCA GIBBS
WALLY WEBB
EMILY WEBB
PROFESSOR WILLARD
MR. WEBB
WOMAN IN THE BALCONY
MAN IN THE AUDITORIUM
LADY IN THE BOX
SIMON STIMSON
MRS. SOAMES
CONSTABLE WARREN
SI CROWELL
THREE BASEBALL PLAYERS
SAM CRAIG
JOE STODDARD
PEOPLE OF THE TOWN

Joseph and the Amazing Technicolor Dreamcoat is a reimagining of the Biblical story of Joseph, his father Jacob, eleven brothers and the coat of many colors.

Told entirely through song with the help of a main character Narrator, the musical follows preferred son Joseph. After being sold into slavery by his brothers, he ingratiates himself with Egyptian noble Potiphar, but ends up in jail after refusing the amorous advances of Potiphar’s wife. While imprisoned, Joseph discovers his ability to interpret dreams, and he soon finds himself in front of the mighty but troubled, Elvis-inspired, Pharaoh. Joseph’s solution to Egypt’s famine elevates him to Pharaoh’s right-hand man and reunites him with his family.

The magical musical is full of catchy songs in a variety of styles, from a parody of French ballads (“Those Canaan Days”), to country-western (“One More Angel in Heaven”) and calypso (“Benjamin Calypso”), along with the unforgettable classics “Any Dream Will Do” and “Close Every Door.”

NARRATOR – An actress with a strong rock singing voice (high belt to E, full-range Mezzo) who is strong on comedy and moves well. Tenor vocalist if played by a male performer.
JOSEPH – Tenor. The eleventh son of Jacob. His father’s favorite, Joseph early on shows a talent for interpreting dreams and telling the future. This gets him into trouble with his brothers when he predicts his future will include ruling over the other eleven. However, it saves his life when in Egypt he correctly interprets Pharaoh’s dreams. In the end, he has risen to a great position of power, but he still forgives his brothers and brings his family to Egypt to partake of the bounty he has accumulated there.
JACOB – Joseph’s father. An actor in his 50s/60s with a baritone voice.
JOSEPH’S BROTHERS – Eleven brothers with strong singing voices, the ability to dance, and contrasting body types and ethnicities. Requires featured solo brothers for Country and Western style in “One More Angel in Heaven,” Jacques Brel/Maurice Chevalier style for “Canaan Days,” two brothers to double the BUTLER and BAKER, and a strong dancer with partnering ability (Adagio) in “The Apache.”

• REUBEN

• SIMEON

• LEVI

• NAPHTALI

• ISSACHAR

• ASHER

• DAN

• ZEBULUN

• GAD

• BENJAMIN

• JUDAH – Sings Harry Belafonte-style in “Benjamin Calypso”

POTIPHAR – A Noel Coward-type character. Baritone. Can be played by the actor playing JACOB.
MRS. POTIPHAR – Alto/Mezzo
PHARAOH – Good actor/singer with Tenor/Baritone range. Elvis Presley impersonator type who moves well.

BUTLER – Tenor/Baritone, played by a brother. Character role with a look that contrasts with the BAKER.
BAKER – Tenor/Baritone, played by a brother. Character role with a look that contrasts with the BUTLER.

ENSEMBLE
Chorus (Boys & Girls)* – Sopranos (to High C), Mixed male ranges (Low A to High A, Basses down to E). Minimum of 11 girls to play the wives of Joseph’s brothers, including a strong female dancer with partnering ability (Adagio) in “The Apache.”
Children’s Choir

*Productions with both ADULTS and CHILDREN:
ADULTS follow “Boys & Girls” vocal part
CHILDREN follow “Choir” vocal part